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Adam Creighton, Voice & Film Actor (Ramblings) (Subscribe)

People, by nature, have some interesting things to say. Here are some of my things. Some about acting. All about living ...

Sunday, September 09, 2007

And the Emmy goes to ...

Yesterday (September 8, 2007), The Academy of Television Arts & Sciences "awarded
the 2006-2007 Creative Arts Primetime Emmys for programs and individual achievements at the 59th Emmy Awards
".

Who got recognized?

Lots of hugely deserving folks.

And we got some deserved local love, too, as Beth Sepko was co-recognized for Outstanding Casting for a Drama Miniseries (location casting) for Friday Night Lights -- filmed here locally as well:
OUTSTANDING CASTING FOR A DRAMA SERIES
LINDA LOWY, Casting
JOHN BRACE, Casting
BETH SEPKO, Location Casting
Friday Night Lights
Nice. If you need Principal Casting and Extras casting, Beth and Sheila are top-notch.

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Wednesday, August 08, 2007

On-spec gig

Check out this on-spec piece for which I did VO. My voice is a minor part, but the commercial (faux-fifties-style) is pretty funny.

And my acting buddy rocks. So does his director friend.

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Thursday, July 19, 2007

The "Wire in the Blood" Brits ...

Last night I went to a ReelWomen.org event, where the speakers were two of the blokes from the Wire In The Blood BBC television series -- director Declan O'Dwyer and producer Bill Boyes.

Bill and Declan are in Austin, because they're filming an episode of Wire in Austin, with Texas actors and crew. this is a big deal, as a BBC television episode is feature-length, so this is a movie, shot with Texas talent.

The two of them were phenomenally forthcoming with insight into their history in the Biz, British differences (surprising number of parallels to us across the pond), and advice for actors and other Biz folks.

And they were absolutely hilarious. We're talking an updated British Amos 'n Andy vibe, with meaty content for an actor hungry to get better and meet new people.

The two were also pleasantly self-deprecating, which is ironic considering they're really big guns in the industry (Boyes is a lifetime journalist / producer who was a one-time exec for the BBC, and O'Dwyer is one of the most sought-after directors in the UK, working non-stop across multiple projects (including the British Robin Hood series, which I love) for the last five years straight.

One of the things that struck me about the evening was the almost spot-on parallels (in particular) between Declan's advice for actors, and my current coach's (Steve Prince) philosophy (which, while Meisner-based, is supplemented with things he's learned over the years in the Biz).

What stuff in particular?

Declan said acting is weird, because "You're telling lies. But you still have to be truthful about it." This is a akin to Steve's definition of acting as "Living truthfully under imaginary circumstances."

There was also a lot of talk about making a break into the industry via authentic relationship building (longtime followers know how this strikes a chord with me).

And there was a breakdown of the difference between knowing the mechanics of acting, and the danger of making those a bigger priority than being in the scene. It's about being connected to the people in the room, in the scene, or in your head (depending on the situation) in a real, "organic" (overused industry buzzword) way. And you'll see that in folks' eyes. When it's off, it's what my coach calls, "Dead shark eyes." And you need both the connection at the mechanics.

Afterwards, I hung out and chatted ("bunnied", "rabbited") with Bill and Declan to say thanks for the gift of sharing their insight with around a hundred Austin actors and industry folks, and to wish them well on the shoot. They're both very pleasant, very approachable, and very funny. Good folks.

I also really like the premise underneath Coastal Productions, the company behind Wire In The Blood, and co-founded by series star Robson Green. It's a successful company, with at least one of its goals being "supporting local young people who want to get into the industry."

And I ran into a ton of acting friends and acquaintances last night, which I love. I so enjoy getting my hug on with these amazingly talented folks with which my life has been blessed.

Good times ...

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Tuesday, June 19, 2007

Fantastic Industrial gig ...

I just finished two days of shooting for an industrial gig, and it was a fantastic experience.

Stereotypically, industrials can be dry affairs, sacrificing entertainment for information.

Not this one.

This thing was the unholy child of an "Friends" episode(ish) indie short and useful marketing collateral. In a good way.

Best part? Top to bottom, folks were phenomenal -- skill-wise and chemistry-wise. I'm talking Advertising agency, writer / director, DP, sound guy, clients, and content providers. Top-notch, good folks good at their craft.

And my fellow star Mikel McCurdy, totally steals it. Mikel and I have known each other for a while and done class, Samurai, and workshop intensives like Leadership & Creativity together. But this was the first time we were able to do a creative project together -- and we had a blast.

Great, witty banter, physical comedy, great crew, and a great scene partner makes for a great couple of days.

The finished product will be done this week, and show to a large trade-show crowd this year, so I'm pretty stoked to see how it all turns out.

This is one of those great-to-be-an-actor kind of weeks.

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Saturday, May 19, 2007

NBC renews "Friday Night Lights" ...

OK, I meant to write about this last week, but given the local impact, it deserves a quick blurb, even if it's kind of old news.

Variety reported NBC renewed "Friday Night Lights". And, apparently (not noted in Variety), it's going to stay in the Austin area.

Great news, because I genuinely feel this is a great series (and not just because I was(n't) on it), and if NBC (by their own admittance), can better market it as the full-featured (not-just-about-high-school-football) show that it is, I'm hoping the series will get additional legs.

And keeping it in Austin is big shot in the arm for the local creative community.

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