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Adam Creighton, Voice & Film Actor (Ramblings) (Subscribe)

People, by nature, have some interesting things to say. Here are some of my things. Some about acting. All about living ...

Friday, April 09, 2010

Nunsploitation

There's an interesting featurette on "what's the deal with nuns in Japanese pop culture?" over on Kotaku.com.

It's got a couple of nuggets of interesting historical stuff, so it's a decent lightweight read. It is, however, a ridiculously shallow view (but hey -- it's Kotaku), and candy-coats at least one medium's portrayal of Judeo Christianity.

If you (for example) look at how Christianity is portrayed in Japanese animation (popularly, "anime"), like MD Geist and Evangelion (the latter of which mixes in Gnosticism and Kabbalism as the same thing), Macross, etc.) -- the religion is not popular. As a matter of fact, Christianity is often held up as the device from the West that literally brings about the end of the world.

That doesn't quite mesh with the Kotaku feature, which puts kind of a positive spin on Christianity's reception in Japan.

But none of that matters.

What does matter is the feature's reminder to me of the term, "Nunsploitation" -- Exploitation films about nuns, popularized in Europe in the 1970s (while the West was doing backsploitation). And then Japan was off and running with nunsploitation through the 80s and 90s.

Fascinating cultural stuff.

(Discuss.)

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Sunday, February 21, 2010

AJC in ATX

I had the best of intentions (and still do) to do a post about the result of this decision, and its follow-on impacts.


But the short version is I'm working for Junction Point, making the Epic Mickey game for Nintendo's Wii console.


All of this means that I'm (a) working with Warren Spector, (b) working for Disney (and therefore Marvel), (c) making video games and other creative expressions. Friends and longtime readers* know what a head-exploding good thing all of this is for me.


And yes, I am now back in Austin, Texas, bouncing around from generous couch to generous couch (and sometimes even getting a bed), and bouncing back and forth between Austin and NC as I try to sell my house there, and take care of my family who's so awesomely sacrificing so I can pursue this crazy gig.


With all of this, I'm slow boating the "getting back into the Austin acting scene" (other than voice work), because new job plus crunch isn't conducive to me being out for a few days at a time for film shoots.


But I'm excited to get back into it here, because the acting landscape has changed surprisingly over the last two years, I'm jonesing to be back on a set, I'm burning the candle at both ends, and all this plus the whole not having a pot to piss in has made me ****ing raw and ready to do some daring stuff.


More soon(ish).


* Not the same thing.

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Saturday, June 07, 2008

On creativity and composition

My last post was pretty hefty, and there's no easy way to step down from it in a measured way that wouldn't be more orchestrated than it was genuine.

So, instead, I'm goning to dive right in with my next post and talk about boobies.

OK, not per se, but at least I've set an appropriately low bar on the thematic weight side of things, and have much more ceiling.

Moving on.

I so dig snorgtees.com. I'm not associate with them in any way, but I've been a fan of the package that is their company and offering and product for a long time.

They make hilarious T-shirts, riffing or springboarding off of retro and pop culture love, and they do it in creative (if not brilliant) ways.

An all-black shirt that says, "There are 3 ninjas on this shirt [try to find them]".

"Your epidermis is showing."

(Two pictures of bags of ice and a picture of a baby.)

But like I said, it's not just the logos and the products -- it's the package that is the company.

Take this shirt, "I drink your milkshake":


(If you're unfamiliar with the deriving song, I envy your blessed naïvité.)

The shirt is funny by itself; it plays on pop culture, and has an odd, stilted old-school graphic juxtaposition against what's in essence a jug-happy metaphor.

But what finally prompted me to write about these folks are there ads (which I usually see on Kotaku.com).

I snagged a pict of this ad, because you could take almost any of them, and match what works alone in the graphic above, magnified with A) an appropriately attractive (but not stereotypical) model, who's B) animated and bought in during the shoot, but in a C) realistic, living, non-posed way.

Tie to acting? Creativity and "being" (not faking).

(Let along the obvious example of smart branding and leveraging pop culture.)

Kudos!

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Tuesday, October 23, 2007

Voice acting video game interviews

Since I'm a voice actor and a gamer, I look for interviews with actors on their techniques and processes for video game worlds.

A couple have popped up for one of my more anticipated games -- Mass Effect from Electronic Arts BioWare.

First up is an MTV Multiplayer interview with Seth Green, the wunderkind creative and voice actor behind things like Robot Chicken (but to me, he'll always be Oz from Buffy, with his leaving signifying a brief downturn in the watchability of the show).

Then there's this video interview with veteran actors Keith David, Lance Henriksen, and Marina Sirtis.


David has some good stuff to say (including the fact that "acting is acting -- it's either good acting or it's bad acting"), as does Henriksen (with nuggets highlighting some of the differences between voice acting and on-camera acting).


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Thursday, October 11, 2007

Comic book artists take on literary characters

I really dig media intersections.

And I'm a comic book guy. And I'm also fairly well-read on the literary side.

So when I stumbled across this site, which is a collection of comic book artists' takes on literary figures (both from the literature, and the folks creating the literature), I easily blew through a blissful hour.

Adam Hughes's rendition of Raymond Chandler? Bruce Timm's H.P. Lovecraft? Dave Cockrum's War of the Worlds? Neil Gaiman's Sunday (from G.K.Chesterton’s The Man Who Was Thursday)? Tom Grummett's Winnie the Pooh (a favorite of mine for some reason)? Mike Mignola's Dracula?

Why are you still here?

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